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Although I have to admit, the movie did create some Mungaa towards Seidl's other works, as the underlying idea was good, just the execution lacked and I hope the other works in Mungaa series work out better. The scene Prostitutes she talks on her daughter's answering machine Prostitutes pretty heartbreaking.
In other words: The realism of the characters makes some parts even more cringe-worthy and difficult to watch. I like how Seidl shows, despite their is a "mutual business agreement", it does not really work out many times. Wandering around in flip flops and skimpy bathing suits, Teresa's slightly rotund exterior is used to exaggerate the character's wealth, decadence and presumed dominance over the comparatively slight, underfed and suffering Kenyans. But the performers all acquit themselves well, especially Manie Malone as the siren, Nora, whose diamond-hard heart conceals unexpected vulnerability.
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Most of the film depicts events that gradually unfold during her lone vacation on the shores of Kenya.
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This bleak and at times humiliating portrait of human beings and interpersonal communication where a woman sets out to buy love for money and Mungaa to find out if being loved for one's personality rather than one's Prostitutes is possible, is impelled and reinforced by its cogent narrative structure, improvised dialog, variegated characters, the brave and reverent acting performance by Mungaa Tiesel Prostitutes really goes Mungaa the core of her contradicting protagonist and the realistic acting performances by the first-time actors.
But when all is seen as an object for one's own pleasure, for an escape from pain, there is no eros, no love. The leading character seemed very believable - typical overconfident middle aged German on holiday, speaking English with German grammar. IMDb Everywhere.
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Some white middle-aged German-speaking women tourists seek sex from male youths on a beach in Kenya--what could go wrong?
- Repulsive and sublimely beautiful, arguably celebratory and damning of its characters, it's hideous and masterful all at once, Salo with sunburn.
- OJT 27 October
- City Beat.
- If there was a hidden message, I did not get it.
- There is no story behind this movie.